Late, Late At Night: The Rick Springfield Story

$30 + booking fee pre, $35 door

7pm doors, 8pm show

We can only reserve tables for GROUPS OF 8 OR MORE (you can go as large as you like! We never run out of tables for large groups who get our email confirmation once you email a request.

TO RESERVE A TABLE OF 8 OR MORE. . .Firstly buy all your tickets, then email: camelot3@tpg.com.au Please list *show name *show date and only the *name the tickets are booked under.

LESS THAN 8 people??? All other seating is on a 'first in best dressed' basis! So come early and choose a seat, a stool or table which suits. If the show is sold-out, you may end up sharing with others or choose to stand.

Please book carefully – as no refunds, credits or exchanges on tickets are possible.

All ages are welcome (but under 18′s must be accompanied by an adult) and a ticket must be purchased to support the artists playing.

Delicious food (including pizza!) is available.

Fully licensed – NO BYO

LATE,LATE ATNIGHT

A POP-ROCK ADAPTATIONOFRICKSPRINGFIELD’S AUTOBIOGRAPHY

Written by award-winning Australian playwright, Kieran Carroll and starring rising Sydney performer, Jackson Carroll (no relation) Late, Late At Night is apop-rock stage adaptation of Rick Springfield’s compelling and searing autobiography, the New York Times best-seller, Late, Late at Night. Directed by Robert Johnson, the show features over 20 fantastic Springfield gems from Zoot to the present day and includes many of Springfield’s 17 Top 40 American hits in the 1980s.

Self-penned, the autobiography is written (except for the opening chapter) in chronological form:from the 1950s through to 2010. The work traces Springfield’s Australian and British childhood, his early music days in Australia, his rollercoaster ride in 1970s America and the huge pop and acting successes of the 1980s. This is followed by his fall from public view, his mental health demise, and finally, the resurrection of Rick Springfield as an artist in the 21^st century.

This two hours plus adaptation – much like the result of the autobiography – goes far beyond Rick’s popular pop image or what he is best remembered for on the 80s pop charts. Late, Late At Night captures the heart and essence of Springfield’s major concerns and musings: depression, God, no God, his parents, self-motivation, a long sustaining career, love versus sex, music versus acting, his wife and sons, the way America shaped him and what he left behind in Australia as he built his career to lead the seemingly glamorous and not-so-glamorous expatriate life.

This play adaptation is written as a two act, one-man work. Springfield moves between the text and the songs throughout. Late, Late At Night is a tumultuous and exhilarating journey of an Australian-American songwriter whose 17 top 40 hits in America with sales of 25 million albums worldwide make him one of Australia’s most successful musical exports of all time.

Late, Late At Night is an epic journey of a suburban boy whose journey to fame and fortune came with large personal costs.